16×20 inches, Acrylic on Canvas
My paintings always start with photographs. I’m not going for photo-realism, but the photos help me remember details, texture, color. Many times I have one chance to visit a location, to explore and record. After coming home and looking at the photos I wish I’d taken the time to get a different angle, or that I’d gone when the sun was out, or higher or lower in the sky. I love going to places whether downtown in a city or a park setting and walking around. Riding in a car scenes go too fast. Of course, there are places I visit, again and again, where the challenge seems to be seeing with fresh eyes. The familiar can easily be overlooked and dismissed.
Lighting is transformative. I love shadows, and light shining through the trees. This past summer I had a chance for a change of pace as we traveled to see family in a different part of the country. The time was relaxed, and I was able to take out a kayak a few times to do some exploring. Being low in the water, going slowly allowed a change in perspective. I was fortunate to capture some photos when the sun was low in the sky, elongating the shadows, contrasting the bright spots of light.
There are several other landscape painters I follow, observing their use of color, texture, brush strokes, how they handle different subjects. Noting how they blend realism, impressionism, and abstraction.
One gallery owner that represents me likes to feature landscapes of mine that are more universal. (Not identifiable as one spot, but scenes that might be found a variety of places. For example, a piece I painted of a path and trees near Zion, might also have been inspired by places in Orlando. ) So I’ve been looking for scenes that are more about capturing the moment than the place. Keeping brush strokes loose, not overly concerned about details, adding colors where only hints were found.
This scene happened to be inspired by the long shadows and low angle of the sun as I took an early morning kayak ride near my parents house in Michigan.